Dating from around the year 1200, this lion-shaped aquamanile is a splendid example of northern German production. While the lion has a hypnotic gaze and stands proudly upright, the zoomorphic handle suggests a monster pouncing onto its back. Although it is impossible to prove, this Germanic creation appears to have drawn inspiration from eastern Islamic and even Chinese forms. In the Christian context, the hybrid combination of monster and lion may represent the powers of darkness defeated by Christ, here neutralised and converted to the useful and positive function of the washing of hands and, by extension, the purification of the soul.