Duncan Wylie (b. 1975) based this work on a photograph of the front of a building in Gaza destroyed from inside by a bomb. He then turned the canvas upside-down and painted a bungalow split in two and a scene from a photo taken in Japan after the tsunami of 2011. Water washes away the foundations of a hazardous shelter precariously balanced above a wall on the right suggesting a dam. This painting of ruins becomes the place of a pictorial event in itself while reflecting the reality of the world.